Cindy Prascik's Review of Spider-Man: Into the Spider-Verse

Dearest Blog: After rather a long hiatus, yesterday it was off to Marquee Cinemas for Spider-Man: Into the Spider-Verse.

Spoiler level here will be...uh...you know what, we're five weeks in and I never did see a trailer for this, so let's just say read on and take your chances.

Many Spideys from many dimensions join forces to fight a common threat.

Dear reader(s), the week Spider-Verse was released, we had five new movies opening locally. As the busy holiday season left me time for only two and I am prone to poor life choices, I opted for The Mule and Mortal Engines. Yesterday was my first opportunity to catch up with Spider-Verse, and, while I normally wouldn't bother reviewing a movie this late in its run*, Spider-Verse is so extraordinary that if I can convince even one person to get out and see it while it's still on the big screen, it's my civic duty to do that.

Spider-Man: Into the Spider-Verse is a terrific film, sans genre qualifier. The story is clever and layered without being muddled, and it explains itself well enough that even those not well-versed  in the multi-verse should have no trouble keeping up. Glorious visuals could pass for pages pulled directly from a comic; in fact, there's more than one panel I'm pretty sure *was* pulled directly from a comic. Your enjoyment may ebb and flow depending on the amount of time "your" Spidey spends on screen (I'm a Peter Parker girl myself), but the movie is at its best when all the Spideys share scenes together. A familiar stable of villains lends a comfortable feel to the proceedings, but a great sense of humor and multiple focal points keep the picture moving at pretty frantic pace. Daniel Pemberton's fantastic score and a positive, empowering message wrap up the heroic proceedings with a neat little bow.

Spider-Man: Into the Spider-Verse clocks in at 117 minutes and is rated PG for "frenetic scenes of animated action violence, thematic elements, and mild language."

Spider-Man: Into the Spider-Verse is an exceptional movie that stands out among a glut of super-hero movies and sets a new standard for animation.

Of a possible nine Weasleys, Spider-Man: Into the Spider-Verse gets nine.

Until next time...

*Feel free to laugh at this remark when my next review is of a movie that turns 15 years old this summer.

MOVIE REVIEW: SPIDERMAN INTO THE SPIDERVERSE

Bitten by a radioactive spider in the subway, Brooklyn teenager Miles Morales suddenly develops mysterious powers that transform him into the one and only Spider-Man. When he meets Peter Parker, he soon realizes that there are many others who share his special, high-flying talents. Miles must now use his newfound skills to battle the evil Kingpin, a hulking madman who can open portals to other universes and pull different versions of Spider-Man into our world.

Director: Peter Ramsey, Robert Persichetti Jr., Rodney Rothman

Cast: Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna 

Lauren Velez, John Mulaney, Nicolas Cage, Liev Schreiber

Rated PG for frenetic sequences of animated action violence, thematic elements, and mild 

language

Genres: Animation, Action, Adventure

Runtime: 1h 57min

Review:

Spiderman into the Spiderverse is one of those animated films that is instantly striking due to it’s visual style and energy.  The visual style is so striking that it takes a little while to adjust to it in action.  Once you settle into it it’s a cornucopia of visual delights.  The character designs and lush backgrounds make for a beautifully vivid film.  Thankfully the story is just as strong as the visual.  The story is a fun superhero tome filled with great messages for kids and adults alike.  The voice cast all fit their characters perfectly with Shameik Moore and Jake Johnson sharing great chemistry.  Hailee Steinfeld as a SpiderGwen has spinoff written all over it but it’s not nearly as fun as John Mulany as Spider Ham and Nicholas Cage as Spiderman Noir.  Ultimately, Spiderman into the Spiderverse is a fun film which offers a fresh version of animation which makes it pop.

B

MOVIE REVIEW: ISLE OF DOGS

When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, 12-year-old Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture.

Director: Wes Anderson

Cast: Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum, Greta Gerwig, Frances McDormand, Courtney B. Vance, Harvey Keitel, Liev Schreiber, Scarlett Johansson, Tilda Swinton, F. Murray Abraham, Frank Wood, Yoko Ono.

Release Date: March 23, 2018

Genres: Animation, Adventure, Comedy

Rated PG-13 for thematic elements and some violent images

Runtime: 1h 41min

Review:

Isle of Dogs, Wes Anderson’s 2^nd foray into stop motion, is a charming and thoughtful tale of mans best friends.  Wes Anderson’s film is filled with his usual hipster hallmarks which people either love or hate.  Its all here in spades so if you’re not a fan of his distinct style this won’t change your mind.  Those who do enjoy his style will find plenty to love here.  The direction and craftsmanship is top notch throughout making it one of the most visually arresting films of the year.  The voice cast is filled with Anderson regulars and a few newcomers like Bryan Cranston.  Cranston provides the emotional center of the film and really gives the story its heart.  Like most of Anderson’s films there’s a streak of sadness through the entire story.  Isle of Dogs does have a slightly bleaker outlook than usual and the story has a fairly obvious allegory to current events which makes it more dense than expected and one of Anderson’s best.

A

Cindy Prascik's Reviews of Wind River & Goon: Last of the Enforcers

 

 

 

Dearest Blog: Thanks to an extra-long holiday weekend, yesterday I was able to enjoy a Fantastic Friday Double-Feature.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on my agenda, a visit to Marquee Cinemas to see early awards hopeful Wind River.

 

When a young woman's body is discovered on a Native American Reservation, an FBI agent recruits the local game tracker to assist in the investigation.

 

Wind River is a somber, inspired-by-true-events tale that sheds some light on a violent reality faced by Native American women, a sad reality-check sold as a movie thriller. The picture is suspenseful and intense, with quiet power underscored by majestic winter scenery. A perfect cast is headed by Jeremy Renner and Elizabeth Olsen, supported by Graham Greene, Julia Jones, The Magnificent 7's Martin Sensmeier, and Gil Birmingham in what may be my favorite performance of the year so far. 

 

There is a profound moment between two grieving fathers that, with zero showboating, is the best thing I've seen at the movies in 2017. (And I spend a lot of moments at the movies, so that's saying something.) Wind River's only fault is that that most of Jeremy Renner is mostly covered by a snowsuit for most of the time. It's worse than when whoever dresses the Avengers decided it was a good idea to put sleeves on Hawkeye. Hrmph.

 

Wind River runs 107 minutes and is rated R for "strong violence, rape, disturbing images, and language."

 

Wind River is a smart, moving film that will be on your mind long after you leave the cinema. Of a possible nine Weasleys, Wind River gets eight and a half.

 

Next on the docket, a home screening of Goon: Last of the Enforcers.

 

Doug "The Thug" Glatt mounts a comeback amidst mounting challenges on and off the ice.

 

Like the first Pirates of the Caribbean and Guardians of the Galaxy movies, the original Goon surprised movie-goers by being much more than they expected, a legitimately solid picture that wasn't just good for a comedy or good for a sports movie or good for what you'd expect from the creative team in question. Incapable of duplicating that element of surprise, even a good sequel naturally feels diminished, but I am pleased to report that Goon: Last of the Enforcers still has a great deal going for it.

 

Getting my petty quibbles out of the way first: Last of the Enforcers is amusing throughout and has moments of hilarity, but the humor is nowhere near as consistent as the original. The movie also goes overboard in its depiction of hockey violence. The best comedy is rooted in reality, and too many liberties are taken here, particularly during the climactic bloodbath. That out of the way, Goon 2 is a funny film that retains all the heart of its predecessor. It's bittersweet catching up with the old crew, several of whom have taken on new roles in the time meant to have passed between pictures. It goes without saying that more Liev Schreiber is always better than less Liev Schreiber, but being a supporting player does nothing to dim his brilliance; his aging tough guy Ross "The Boss" Rhea is again the very best thing about the movie. New characters serve their purpose well enough, but never manage to drum up a fraction of the affection I have for even the most minor players from the first film. Jay Baruchel doubles as director on this outing, so his screen time as Glatt's profanity-spewing best friend is limited, and the brilliant Kim Coates also feels underused. Returning Highlanders, though they probably have no less screen time than the first time 'round, sometimes feel pushed aside for the new guys, but the movie does give each his moment. Perhaps more importantly, it also does a great job of showing how they've grown together as a team. That, coupled with Doug's new life as husband and father-to-be, is really what makes Last of the Enforcers a great sequel that's well worth your movie dollar.

 

Goon: Last of the Enforcers clocks in at 101 minutes and is rated R for "pervasive language, crude sexual content, and bloody sports violence."

 

The original Goon was great enough to rob even the best sequel of the element of surprise, but Goon: Last of the Enforcers is a solid comedy with well-played, heartfelt moments that ultimately win the day. 

 

Of a possible nine Weasleys, Goon: Last of the Enforcers gets eight.

 

Until next time...

Cindy Prascik's Review of Spotlight & The Danish Girl

 

 

Dearest Blog: Yesterday I had the opportunity to catch a couple of awards darlings before they're chased out of town by Adam Sandler or Transformers 47: The Search for Shia LeBeouf. On the docket: Spotlight and The Danish Girl. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

First up: Spotlight. The Boston Globe exposes the cover-up of a horrifying pattern of sexual abuse by Catholic priests. Spotlight is simultaneously one of the most brilliant and one of the most difficult-to-watch movies I've ever seen. 

 

The events depicted in the film turned my stomach more than any death-defying stunt or gratuitous gore, not just a systematic failure to protect the defenseless, but, worse, a conspiracy to hide and excuse (EXCUSE!) such abuse. 

 

Performances are top notch across the board, with Mark Ruffalo especially impressive in what amounts to the leading role among the strong ensemble. Liev Schreiber is outstanding as always in a smaller part, one of the top five actors in the world, for my money. 

 

The plot is gripping, as the reporters dig deeper and deeper into a plot that reaches higher and higher into the hierarchy of the Catholic Church. Despite a runtime that's well over two hours, I was riveted the entire time, even though I wanted to scream at the screen as family members, Church authorities, and legal officials made excuses and attempted to keep the story from getting out. 

 

As the end credits began to roll, and the film presented a list of the many, many communities impacted by this epidemic, I was overcome with grief, not only for what happened, but for how much could have been prevented. 

 

I cannot remember the last time a movie left me this angry and heartbroken. Spotlight runs 128 minutes and is rated R for "some language, including sexual references." 

 

This year's Oscar Best Picture race is a tight one, but Spotlight has won my heart and my vote. 

 

Of a possible nine Weasleys, Spotlight gets nine. 

 

Next on my agenda: The Danish Girl. Oscar winner Eddie Redmayne stars as transgender pioneer Lili Elbe. 

 

Whereas Spotlight is a captivating story featuring stunning acting, The Danish Girl is mostly noteworthy for the performances alone. 

 

The story itself *should* be fascinating, but, as told here, is just slow and somewhat dull. 

 

Though much decorated, I find Eddie Redmayne an awkward performer, almost painful to watch in this film. It's undeniably a brave performance, but I'm not sure it's a great one. 

 

Ben Whishaw, delightful in a smaller role, would have been far more effective in the lead, if you ask me. (And, if you're reading this, I guess you're asking me!) 

 

Alicia Vikander is stellar, really a co-lead even though she's been considered a "supporting" player for awards purposes, and Amber Heard provides some welcome light in what's overall a pretty angsty tale. 

 

The film boasts beautiful locations and a lovely score, and, though we may have a long way to go, it's a nice reminder of just how far the world has come on the issues faced by transgender individuals. 

 

The Danish Girl clocks in at 119 minutes and is rated R for "for some sexuality and full nudity." (And they really, really mean that last bit!) 

 

Though sluggishly paced, The Danish Girl is worth seeing for its solid performances and important subject matter. 

 

Of a possible nine Weasleys, The Danish Girl gets six. 

 

Until next time..

MOVIE REVIEW: GOON

ON DVD & NETFLIX STREAMING

GOON




The sports comedy Goon stars Seann William Scott as Doug Glatt, a slacker from a rich family who discovers he has a knack for hockey brawls. Dragged to a game by his best friend, Doug punches out the visiting team's toughest player when the angered thug rushes into the stands. The home team quickly recruits Doug (even though he can't skate) and encourages him to beat up their opponents. ~ Perry Seibert, Rovi

Director: Michael Dowse

Cast: Seann William Scott, Jay Baruchel, Alison Pill, Marc-André Grondin, Kim Coates, Liev Schreiber

Release Date: Mar 30, 2012

Rated R for brutal violence, non-stop language, some strong sexual content and drug
use

Runtime: 1 hr. 31 min.

Genres: Comedy

Review:

Sports films in general have always been a tough sell for me, mainly because they all have to follow very similar trajectories ending in the big game. As a result, I’ve ignored more sports movies than I should have over the past few years. Luckily, I gave Goon a chance and was pleasantly surprised with it. The usual sports plot points are there (underdog team, change in fortunes and the big game) but Goon makes it all so much fun and even infuses some heart in the process. Feeling like a cross between Major League and Forrest Gump, Goon really hooks you in with its comedic side. As a comedy it works just as well as a hockey film. Seann William Scott makes it nearly impossible not to like the Doug’s dim but sincere self. Scott really shows us restraint in how he plays Doug; it would have been very easy to play him as a buffoon, so there’s some texture there. The only real downside is more script related as Doug seems to waver between not very bright to mentally challenged. The supporting cast is made up of fine actors, all doing well in small quirky roles which really give the film life. Marc-André Grondin in particular is interesting as the wonder kid burnout. Liev Schreiber however is incredibly impressive in a small but pivotal role. Schreiber really give his character an authentic look and feel. As a causal hockey fan, his character just felt real in so many ways. As a whole the film’s sports side feels real, credit for that really goes to the director Michael Dowse. One of my other pet peeves about sports movies is that the sports never feel real; in Goon the majority of the hockey is wonderfully staged and done. A fan of the sport will never be taken out of the experience which is so important in my opinion. Goon is very loosely adapted, (he ended up consulting for the NHL’s Bruins for 8 years after his playing days) from Doug Smith Book Goon: The True Story of an Unlikely Journey Into Minor League Hockey.

B+

MOVIE REVIEWS: SALT

IN THEATERS

SALT



Director Phillip Noyce teams with screenwriters Kurt Wimmer (Equilibrium) and Brian Helgeland (Mystic River) to craft this thriller starring Angelina Jolie as dedicated CIA officer Evelyn Salt, who is accused by a defector of being a Russian spy. With each attempt Salt makes to prove her innocence, her mentor, Winter (Liev Schreiber), only grows more suspicious of her true motivations. The longer she eludes capture by ambitious CIA agent Peabody (Chiwetel Ejiofor), the higher the stakes get. ~ Jason Buchanan, Rovi

Director: Phillip Noyce

Cast: Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Andre Braugher

Release Date: Jul 23, 2010

Rated PG-13 for intense sequences of violence and intense sequences of action

Runtime: 1 hr. 31 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

Excessively ludicrous and obnoxiously stupid Salt is an action dud of massive proportions. Phillip Noyce directs this seemingly endless parade of shoot out, getaways and plot twist with dead set seriousness that can best be described as oblivious. Oblivious to the abject silliness of the entire proceedings with characters so poorly executed it hard to take any of them very seriously. Taking herself just as seriously is Jolie, whose stone cold demeanor makes you think she really believes this character is somehow grounded in reality. More surprising is that her action sequences are surprisingly unconvincing throughout and she shoots, punches and jump kicks with all the passion of a coma patient. Liev Schreiber is saddled with a character who given some of the most banal dialogue in recent memory. Poor Chiwetel Ejiofor just doesn’t seem to have any luck with summer blockbusters, in last year’s 2012 he got to be the scientist who was wrong all the time, as he’s given the unenviable task of simply looking confused throughout. The entire ordeal makes the Bourne movies look like real world documentaries and the Mission Impossible movie look incredibly plausible. Somewhere Tom Cruise thanking his lucky stars that he passed on Edwin A. Salt and it was redone as a vehicle for Jolie otherwise it may have proven the actual nail in his blockbuster coffin something which Knight and Day isn’t.

D

Movie Reviews: X-MEN ORIGINS: WOLVERINE

Sunday, May 03, 2009
Movie Reviews: X-MEN ORIGINS: WOLVERINE
IN THEATERS

X-MEN ORIGINS: WOLVERINE

Leading up to the events of X-Men, X-Men Origins: Wolverine tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe.

Cast: Hugh Jackman, Liev Schreiber, Danny Huston, Lynn Collins, Ryan Reynolds

Director: Gavin Hood

Opened May 1, 2009

Runtime: 1 hr. 47 min.

PG-13 violence, intense sequences of action and some partial nudity

Genres: Superhero Film, Action

Review:

X-men Origins: Wolverine is such a lazy mind numbing film that makes you wonder who the talented cast kept a straight face throughout. A laughable opening sequence gives you a clear indication of the quality of comic book film you are about to endure. Director Gavin Hood lack of big blockbuster experience shows throughout the film as he set up actions sequences that are as chessy as they boring. The main issue is the entire affair lacks any emotional resonance or weight. Most of action and dialogue are mind numbingly generic and unoriginal; sequences that are supposed to blow you away just ends up making you roll your eyes. The cast is an impressive array of talented actors who deserve a much better material to work with. Huge Jackman delivers a fairly flat performance only occasionally giving us a glimpse of his work in the series best entry X2: X-Men United. There are just too many wooden lines that fall flat and too many roars matched with goofy posing. Liev Schreiber is mostly wasted as Logan’s half brother, so much so that it makes you wonder why they’d cast such a capable actor for such a 1 dimensional character. Ryan Reynold’s is good fun for all of 10 minutes he’s in the film. Same holds true for Kevin Durand, Dominic Monaghan and Will I Am, all of put in nice little performances but are horribly underused. Danny Huston does the best of the group as the nefarious William Stryker and seems the most committed to the material. Taylor Kitsch is effective as Gambit but his character seems shoehorned into the plot. X-Men Origins: Wolverine isn’t as bad as X-Men: The Last Stand but it veers terribly close, a real shame considering the talent assembled.

D